Category Archives: Live Review

SPIKEDRIVERS + FRAN MCGILLIVRAY — Saints & Sinners, Staines

What could be better — in this season of giving — than to receive a generous two-for-one deal? That was the gift they gave us at Staines Riverside Club this week when we saw the fabulous SPIKEDRIVERS play alongside the sensational FRAN MCGILLIVRAY BAND (with Mike Burke) in a special show of “Saints and Sinners”.

Ben Tyzack
Ben Tyzack – offers a “big stew-up of sounds…”

We aim to bring you our interpretations of blues and gospel...” Ben Tyzack of the Spikedrivers told the appreciative audience right at the start. “A big stew-up of sounds, if you like.

And it’s true, the gumbo of sounds that these talented musicians brought to the good people of Staines was a “holy trinity” of spirituals, sharp blues and zesty rock ‘n’ roll.

Beginning with the traditional gospel number “Gospel Plow (Hold On)” that was made notable by Odetta in 1961, the outfit brought smooth combings of guitar, delicious choral melodies, double bass lines (double, as in two of them!) and ripples of elegant rhythm.

Fran McGillivray
Fran – nuanced vocal work

Other songs, such as a smooth Marvin Gaye-ish soul version of the traditional gospel number “Up Above My Head” (rendered with an added soupçon of funk) resonated with the feeling of sweet victory over sin…

But alongside such sacred songs were more obviously turbid numbers, like “Got My Mojo Working” with its reference to Louisiana Hoodoo.

This song danced with the devil as much as the fast and urgent interpretation of the “Cross Road Blues” (Robert Johnson, 1936) that came later in the show. Here, there were glorious backing vocals, guitar howls that ripped through the night air, and an edgy feeling of hustle & bustle that would not have been out of place at Sun Studios around 1952 .

We were told that many spirituals were written in code: for example, “Wade in the Water” probably helped fugitive slaves by warning them that the dogs had been released. Or that the Jordan River would correlate with the Potomac — “once you’d crossed the “Nation’s River” you would find yourself in the promised land.” So, the evening was instructive as well as being highly enjoyable.

Fran’s nuanced vocal work reminded us of Elkie Brooks (in her Vinegar Joe days), while Mike’s expressive finger-work was skillful and inventive, Ben’s voice was firm and vigorous and Constance’s voice was silver-toned and soothing. All the while, the imaginative percussion was a joy.

The two-bands-in-one of the “Saints and Sinners” combo produced a charming iridescence and brought a sincere commitment to authenticity. This was an equanimous concert, delivered by confident and cool-headed music professionals who brought honeyed rhythmic cadences, easy-street rock ‘n’ roll highlights and dignified call-and-response verses that simply slid off the tongue.

Another exceptional night of superlative music at the Staines Riverside Club.

For lovers of the Staples Singers

Ben Tyzack: guitar, vocals & harmonica
Maurice Mcelroy : drums, vocals & percussion
Constance Redgrave: bass guitar, vocals & percussion
Fran McGillivray: bass, vocals
Mike Burke: guitar, vocals

Links:

https://www.facebook.com/franmcgillivrayband/

https://www.facebook.com/spikedriversuk/

Words: @neilmach 2019 ©

THE NASHVILLE TEENS — Live in Staines

What to say about the NASHVILLE TEENS? They had a top ten hit in 1964 with Tobacco Road. They backed Jerry Lee Lewis when he went live in Hamburg that same year. They toured with Chuck Berry. They were picked-up by Mickie Most and produced by Andrew Loog Oldham [The Rolling Stones] and Shel Talmy [the Who].

And, probably, they’re the most famous band you’ve never heard of…

The “youngster” of the group Ken Osborn [he joined late 1980s] playing stunning lead guitar in Staines… Picture @neilmach 2019 ©
We saw their live show in Staines this week at the excellent Riverside Club. The place was filled to capacity for what was probably the most anticipated concert in a long time.

With the original vocalist Ray Phillips still in the front, the lineup now includes the Manfred Mann Earth band musician, Colin Pattenden on bass, the “youngster” of the group Ken Osborn [he joined late 1980s] playing stunning lead guitar, with Adrian “Spud” Metcalfe on thumping percussion and Simon Spratley on liquid keys [both these joined the Teens in 1983].

In Staines the band played a great selection of loud rhythm & blues numbers, rock ‘n’ roll hits and garage-rock/blues-rock wonders.

Right from their launch number, “Let It Rock/Rocking On The Railroad” with furious keys and intoxicating bass-stomp plus those unmistakable shake-rattle-and-roll rhythms, we knew we were in for a mega-dance party of epic proportions.

Their version of Wille Dixon’sHoochie Coochie Man” was stuffed with hoodoo sex-appeal as Ray provided vivid vocals, his arm often extended over the microphone, thus bestowing drama and intrigue. This was when we realized what a musical powerhouse Ken could be: his guitar yielded a furious tangle of oxidized notes and harmonics in a constant state of expansion.

Each recognizable hit hotfooting it after the other… Photo @neilmach 2019 ©

Their neatest trick was to run headlong into a motley medley of well-connected numbers, with each recognizable hit hotfooting it after the other: So, in the first half we had Keep on Running / Somebody Help Me / Gimme Me Some Lovin.  And in the second half we had a similar set of overlapping rock ‘n’ roll numbers. It’s a pity that the keyboards were not stronger in the first medley, but the sound was soon sorted out.

During the sensational Staines show we had Rolling Stones favorites, Chuck Berry sing-alongs, and songs taken from a back catalogue which, to be fair, comes from 1964-1969. Yet these durable songs have been energetically played and re-played by these genuinely talented musicians for over fifty years.

Tobacco Road” starts with a tribal thumping that is said to have inspired Sweet’s “Blockbuster.” And although the song began as an unpretentious folkloric number [written by John D. Loudermilk, 1960] the Teens interpret it as an elaborate, yet unrestrained, blues-rock spectacular. The curious mythology of this song is that it was the last number to be recorded by Jimi Hendrix. He laid it down at Ronnie Scotts, on the 16th September, 1970. He died in Lansdowne Crescent, Notting Hill early on September 18th.

Although the band finished their show with the famous “Tobacco Road” their encore was Steppenwolf‘s “Born to Be Wild” — a curious choice, with lyrics about “heavy metal thunder…” and an association with biker gangs and Easy Rider.

But that’s the best thing about this fine band. They play exactly what you want, when you want it. And when they play — their renditions are thunderous and thrilling. In fact, this was the most perfect end-piece to the “Wild Angels” spirit of the early songs on the set: it was unswerving, with robust guitar riffs, aerated vocals and rough rhythms …

Yes, the place was on fire…. we’re so glad [we] made it!

Link: http://www.nashville-teens.com/
Words & Pictures: @neilmach 2019 ©

HAIRSPRAY — The Magna Carta Arts Centre

The successful Broadway musical HAIRSPRAY — with music by Marc Shaiman, the lyrics of Scott Wittman and Marc Shaiman, and book by Mark O’Donnell and Thomas Meehan — came to the Magna Carta Arts Centre this week.

It was presented by The Performance Academy. The dance school that was established more than 35 years ago as the Lynne Davis dance school. In 2001, Lynne’s daughter, Annelly [James] took over the school and it became officially known as “The Performance Academy.” The show was directed by the talented local actor TJ Lloyd with lighting by Andy James, sound by Dave Gates and stage management by Nigel Martin.

We saw the show at the exceptional Magna Carta theater on Thursday.

The story follows the curvy teenager Tracy Turnblad’s dream to dance on The Corny Collins Show, and is based on the true history of the “Buddy Deane Show” broadcast by WJZ-TV Baltimore, and taken off-air mid-season due to problems relating to integrating black and white dancers. The theatrical show addresses issues of size and racism, as well as focusing on the love-life of adolescents and living in the big city in the 1960s.

Liezel Abrahams played the upbeat, pollyannaish principal female Tracey with style and gusto. The drag-role of mother Edna was played by George Hedges in the show we saw, and we thought George perfectly captured the part’s self-effacing and diffident nature. Callum Reynolds as the optimistic joke-store Dad/Husband was also noteworthy.

With an ensemble of more than forty talented showsters, often all on stage at the same time, this presentation was a hugely exciting event from start to finish. The cast handled the numbers with aplomb, style and spirit.

impressive drama, extravagant costumes, enthusiastic dances & sincere vocal performances…

Villainess Velma (played by Neve Crossley) and daughter Amber (played by the Cilla-esque Fay Etson on Thursday) had some of the most ambitious songs to perform … but they pulled them off successfully. Aaron Hutton — wearing his Dad’s drapes & drainpipes as Corny Collins and Daniel Hann (Link Larkin) played the dapper male heart-throbs.

Worthy of special mention were: the the mega-talented and much-in-demand Helen Roper (who played by Penny Pingleton in the show we saw on Thursday with dynamic and zippy energy.) We were also captivated by the prepossessing Kola-Olukotan girls: Aliyyah (Motormouth) Ameerah (a member of the singing group “The Dynamites” alongside Leah Warmington and Katerina Saragoudas) and little dancer  Aishah (ensemble).

The show was full of impressive drama, extravagant costumes, enthusiastic dances and sincere vocal performances.

The Magna Carta Hairspray Show was exhilarating from start to finish with enthusiastic support from all … and let’s not forget: You can’t stop the beat once it starts!

Tickets are still available for Hairspray The Broadway Musical at the Magna Carta Arts Centre Friday 22nd and Saturday 23rd February (inc matinée on Sat.)

STEVE WHALLEY — Live at Staines Riverside Club

Here at AD PONTES we always said that STEVE WHALLEY is the zen master of cathartic liberation.

Steve Whalley – an interpretation that was incredibly perfect. Picture by @neilmach 2017 ©

There is no nonsense or schmaltz in his show, oh no!

He will tear your emotions apart before healing you with a frenzy of dramatic soul & rock numbers from the song books of heroes like Tom Waits and Dylan.

And at Staines Riverside Club last night, after an excellent start that included a stylish Leon Russell type “Youngblood” Steve tried some new material.

In fact he even produced a special guitar for the Ry Cooder number — Vigilante Man.

This is a dangerous tool ...” he alerted the audience. “I have to keep it set to stun, otherwise it will cause some serious damage...”

His interpretation was incredibly perfect. And although we know that Steve’s one of the best vocalists on the circuit, it was clear from this number that we shouldn’t underestimate his guitar skills either… His blues-picking and finger slides were remarkable.

Steve with Tat Whalley – Tat Whalley… ” he eclipsed my achievements many times” Picture by @neilmach 2017 ©

The incredible rhythmc finger-picking skills were evident again on the “Kingston Trio” style Bahamian folk song John B. Sails [aka Sloop John B.]

It was a sensational way to end a memorable night.

With his son Tat Whalley on bass (he eclipsed my achievements many times) and Bruvvers/Meal Ticket drummer Chris Hunt [he taught me everything I ever needed to know about music] this was one of the best concerts of the year.

And the amazing thing is that Steve suffered a nasty head-cold head all night long. And complained, often, “ I cannot hear a damn thing...”

We can’t imagine how good this would have been if Steve had been in ship-shape condition and didn’t feel “so broke up...”

If you missed the show, regularly visit the STAINES RIVERSIDE club for quality live music [every other Thursday] and most weekends. Please support your local live music venue.

Words & Pictures: @neilmach 2017 ©

WILLY FINLAYSON AND THE HURTERS

Last night at the wonderful Staines Riverside Club we witnessed rare magic when WILLY FINLAYSON AND THE HURTERS came to town bringing their smooth quality rock and soft ‘n’ soulful covers.

The last time we saw Willy in Staines was with his band project HALF MEAL TICKET, then with Steve Simpson (now in retirement) and Dean Barnes (much missed.)

Edinburgh born Willy is a talented guitarist, composer and extraordinary vocalist and he fronted Bees Make Honey (1974 ) and later the famous country rock band Meal Ticket. They provided the theme for the brilliant play-for-today “Dominick Hide”.

Willy Finlayson – Carnation-cream and tobacco voice…

In staines The Hurters played songs like the award-winning “She Will Be Loved” [Maroon 5] with its insistent chorus.

These were emotionally rendered, and even at times perhaps overwrought. Though Willy’s smouldering carnation-cream and tobacco voice helped  alleviate any anguish.

Classy blues numbers, such as “Crazy ‘Bout An Automobile (Every Woman I Know)” (Ry Cooder, 1980) had good rebound and veritable trim.

And for the many upbeat numbers (Bruce Springsteen is a favourite songwriter) Willy provided eloquent slur to go with that amazing golden brogue.

Dave Colquhoun – bullets of masculinity and power…

The great revelation of the night was the “new” guitarist Dave Colquhoun.

Dave is actually an experienced session man, currently with Rick Wakeman’s band.

He has his own band projects and previously worked with Go West, Paul Young, Belinda Carlisle, T’pau, Bananarama and, of course, Bucks Fizz.

Dave added bullets of masculinity and power to ballads such as “Hungry Heart” or dark twists of sadness or tiny bee stings of articulation… In other words, he provided nuance and fragrance to every soulful song. Such was his impressive play that he earned  several bravos of his own during the evening.

Tempo was provided by acclaimed blues bassist Malcolm Hoskins who was a firm and steadfast rhythmic-energy maker.

Towards the end of the evening we were treated to a few songs from “surprise guest” LIZA MARSHALL.

Her husky chocolate-syrup voice always wins applause, and her smooth song-choice included the singalong gospel number “People Get Ready” [Curtis Mayfield 1965.] This allowed Dave to express his more imaginative and jazzy side.

As usual, a very fine evening of quality musical entertainment in Staines.

Words & Images: @neilmach 2017 ©

Link: http://www.willyfinlayson.com/

Rocking Hippie Party in Shepperton — LAUGHING STOCK FESTIVAL

The wonderful Jagger family of Shepperton again organized a super fun-packed day of music, peace and love in the Laughing Waters this weekend.

Remarkably, the sun managed to shine for the afternoon…

The wonderful Jagger family of Shepperton organized a super fun-packed day of music, peace & love…

The first LAUGHING STOCK FESTIVAL was held in 2005, when the Jagger family invited a few friends for a summer picnic by the river.

The event has grown over the years and raises funds for charities such as the Diabetes Society, Multiple Sclerosis Society, Eagle Radio Trust and Woking and Sam Beare Hospice.

The Woking and Sam Beare Hospice provides inpatient and community care to approximately 1,400 patients each year. They looked after Linda Jagger’s dad when he got very sick.

The hospice hopes to raise an additional £1.9m to deliver a new hospice service in the heart of Surrey that will be support generations to come.

JJ band – squelchy blues and authentic rhythm and blues…

The party started with some chilled sounds from Heids with acoustic support from the Jagger family’s own function & party outfit — the JJ BAND.

They also played a gladdening and cheerful full-electric set later in the day.

The full band comprises of Linda and Heidi on vocals, JJ and Al on guitars and with Byron and Tim providing the powerhouse bass and drums.

The outfit plays squelchy blues and authentic rhythm and blues, plus breathtaking soul and crackling pop. You can check them out at The Red Lion, Shepperton on Sunday 27th August.

Rifftakers – street-rock boogaloos…

Next up were THE RIFFTAKERS who play their own rhythm and blues brand in the tradition of The Rolling Stones and Yardbirds.

With fuzzy guitars, dynamic beats and party vibes, their street-rock boogaloos, accelerated rhythms and energetic performances provided the motivating force of the afternoon and soon the revelers rose from ground-sheets and picnic chairs to dance in unison.

Next was the super-smooth and super-efficient 8-piece GROOVELINE offering jazz, acid jazz, soul and disco  and who played a swish and dishy collection of funky hits culminating in the wonderful “Blame It on the Boogie” — got to be everyone’s favourite uptempo party-time number.

Grooveline – swish and dishy…

It was Grooveline singer Amy Nicholls’ last appearance with the band (for a while, any-ways) and bass-player Adam was taken sick [we wish him an early recovery] so he was replaced “last minute.”

After a very successful auction and raffle the three-piece roots band MANTIC MUDDLERS, from Petersfield, Hampshire, played some home-style, unfussy blue-grass and rhythm & soul numbers with exuberance and joy.

The lads will be playing the Victorious Festival in Portsmouth on 25th August. You should check them out…

The festival welcomed back the immensely talented local 5-piece rock-reggae band TREE HOUSE FIRE.

Tree House Fire – sonic damage deep down in your Mondongos —

This band are always a big hit, with bouncy, boom-boom songs and a bass line that walks impulsively down-the-line.

At Shepperton they delivered their lumpy, low-noted ditties, intrepid vocals and giddy-paced rhythms with verve and panache.

As we said before, this band causes, “sonic damage deep down in your Mondongos —”

We’ve often thought that experiencing the !DAFT!  cover band is as pleasurable as playing on a kids bouncy-castle wearing nothing but clotted cream…

Their hi-energy rock-covers are salacious & stimulating and at Shepperton the band played an unrestrained, rip-roaringly successful set that magnificently complemented  all the high-jinks and romping frolics at Laughing Water.

!Daft! — a celebratory mix of modern garage rock, post-punk and guitar pop rock…

Their delivery and execution was superb. No wonder they are  justifiably known as the best party band on the circuit.

Their celebratory mix of modern garage rock, post-punk and guitar pop rock is influenced by mid-1980s indie bands — but they easily and successfully turn their hands to garage rock, rock ‘n’ roll and even country when the time is right. And the band’s instinctive ability to “read the crowd” and recognize what is best to keep an audience on their feet is the hallmark of their success.

This was another gleeful and jubilant affair at Laughing Stock

A day of beads and feathers, flower power and gentle people — and, of course, lots ‘n’ lots of love.

LAUGHING STOCK FESTIVAL

Words & Images by @neilmach 2017 ©

Mantic Muddlers – exuberance and joy…

STACEY CRONIN + Asylum Affair at Staines Riverside Club

It’s been a while since the “Harlech Hurricane” sashayed her stuff on the Staines stage, accompanied by her conspicuously talented bandmates.

But this week we again enjoyed the power and potency of Asylum Affair with Stacey Cronin on lead vocals as they played their evocative power-ballads to an eager crowd at Staines pre-eminent music venue, the Riverside Club.

The line-up included John Lawrence (guitar) Gar Lando (drums) Colin Payne (bass guitar) and “the claw”     aka Mark ‘Wilko’ Wilkinson who recently “broke his arm” so couldn’t provide us with any sax on the evening but nevertheless still wizzed the keyboards.

The eighties make you feel nostalgic just thinking about them — and the charm of songs from that era live on in our hearts. Who does not love Belinda Carlisle, Whitesnake, Foreigner and The Bangles?

Songs are accompanied by sensitive organ ripples, flexible bass waves and foamy ridges of guitar…@neilmach 2017 ©

So Stacey sings lusty songs about breaking up and/or uncontrollable longing and all her hearty canzones are  accompanied by sensitive organ ripples, flexible bass waves and foamy ridges of guitar.

Some songs have been removed from the set-list since the last time we saw the band play in Staines…

However many of our favorites, such as “Love Is a Battlefield” (Holly Knight with Mike Chapman and made famous by Pat Benatar) have survived the cull and demonstrate the extraordinary power and finesse of Stacey. She has a distinctively soft, warm and raspy voice of sandalwood & bourbon whiskey.

A new number is “Stop!” the Sam Brown song (Brown, Sutton, and Brody 1988) brought with it with layers of sentiment. This was overwrought, almost highly-strung — and had a sense of neurosis surrounding it. The performance at Staines was so frenzied and nuanced that it left Stacey exhausted. She collapsed in a corner to recover while the band played a musical number.

Their old bossa nova piece “Parisienne Walkways” has been replaced with another number that allows the band to show off their expertise and effectiveness. It’s been traded for the funkier “Let’s Dance” (Bowie, 1983) with John pulling-off the Stevie Ray Vaughan solo at the end with flair and confidence.

the band showed off their expertise and effectiveness…
Here John Lawrence w Colin Payne @neilmach 2017 ©

Soon after “Alone” – the ‘Heart’ chart hit – written by Billy Steinberg and Tom Kelly – Stacey announced that “We’ll play the ‘other’ Heart song too…” — thus neatly summarizing the Wilson sisters career.

So the band lunged into the next head rush song with enthusiasm. We were reminded of the low tones of Grace Slick (perhaps not surprising, since the Starship’s trooper was known for contributing to Heart’s recordings) and also the flavor of Steve Nicks

Never Tear Us Apart” (INXS 1988) was another superlative addition to the repertoire, with drama and passion in each corner and layer-upon-layer of ritzy synth.

Stacey Cronin and Asylum Affair at Staines Riverside Club @neilmach 2017 ©

Perhaps most enjoyed were the Fleetwood Mac songs, and especially “The Chain” from Rumours (1977) with its well-known instrumental section associated with Formula One.   And “Rhiannon” a first-half closer — taken from the predecessor album, Fleetwood Mac (1975.)

Purple Rain” (Prince, 1984) in the second half – also gave room for John’s extended solo.

And this time the ‘Giant of the Bass’ Colin stayed in his seat (he’s still recovering from a medical procedure, we wish him a full recovery) but managed to provide undoubted fervour and gusto to the rhythms along with the über-talented Gar Lando on drums.

This was a dazzling and magnificent concert with Stacey as radiant and charming as always and the band playing at its very best.

Intoxication and rhapsody in every heartbeat.

Words & Images: @neilmach 2017 ©
Link: https://www.facebook.com/asylumaffair/

JAZZ KNIGHTS ORCHESTRA — STAINES

Drummer Cliff Longhurst has played with Matt Monro, Frankie Laine, Bert Weedon , Anne Shelton, Helen Shapiro, Nat Gonnella, Tony Hatch and Jackie Trent (among many others) and has toured with Herb Miller (Glen’s brother) — in addition to working as musical director for several well-known television shows. His JAZZ KNIGHTS ORCHESTRA came to Staines this week to put on a fantastic spectacle at the famous Riverside Club.

The orchestra delivered power and determination as they put on an extraordinary performance that rewarded us with the sounds & moods of Woody Herman’s big band era — the 1930s and 1940s.

A golden syrup of sax – Photo Credit: @neilmach 2017 ©

Starting with a complicated arrangement of “The Good Earth” composed by jazz trumpeter Neal Hefti, we were treated to a golden syrup of sax and beautifully chromatic trumpet — the ambitious number was endowed with attitude, passion and enormous scope.

Herman’s “The Preacher” was a cluster of sound textures with an excellent solo by Nick Charles.

Richard Rodgers’ “Sound of Music” found on Herman’s “My Kind of Broadway” was a first-class re-telling with zestful vibraphone and potent walking bass.

Rattling rhythms from Longhurst himself – @neilmach 2017 ©

The 15-piece Jazz Knights also treated the audience in Staines to lighter pop numbers such as “Killing Me Softly” [Charles Fox] and “Light My Fire” [the Doors] and a wondrous version of the Beatle’s “Hey Jude.”

The stand-out number was, perhaps, the band’s touching rendition of Sid Tepper and Roy C. Bennett’s romantic “Red Roses for a Blue Lady” made famous by singer Vic Dana. This nostalgic piece had a full-on big-band ‘feel’ with rattling rhythms from Longhurst himself and some articulate trumpet.

This was a joyful evening of swing-era jazz, a little bebop, gentle fusion and sophisticated pop — brilliantly polished, propellant and propulsive — yet relaxed in all the right places.

Thanks again to the Staines Riverside Club for hosting another unforgettable evening.

Words & Images : @neilmach 2017 ©

Link: http://www.jazzknightsorchestra.com/

STAINES LAMMAS BRASS BAND — Springtime Spectacular

This Sunday the STAINES LAMMAS BRASS BAND hosted a superb “Springtime Spectacular” concert of popular songs at the ancient St Mary’s Church in Staines.

We went along to see the show.

Our favourite was probably Ramin Djawadi’s theme from the HBO’s television series “Game of Thrones…”

 

 

 

 

 

 

 

 

After an excellent introduction — “The March of the Peers” [ by Arthur Sullivan, from Iolanthe] with skilfully interpreted passages and perfectly controlled rhythms, the band was presented by the experienced musical director conductor / garrulous musical director Lee Woodward who was appointed MD of the Staines Lammas band in 2014.

Lee introduced us next to an overture by Austrian composer Franz von Suppé, “Morning, Noon, and Night in Vienna.” The piece incorporated a pensive solo that overflowed with emotion.

After that, we enjoyed another eloquent solo, this time featuring Steve Burgess [ the principal cornet player.] Steve also plays with Alder Valley brass and the Freedom Brass Quintet. The poignant number was Dvořák’sRusalka’s Song to the Moon.”

This is about a water nymph who falls in love with a prince …” Lee told us before the start. “But, of course this is an opera. So, as you can imagine, it doesn’t end well …

Modern numbers in the entertaining programme included “Baggy Trousers”

Modern numbers in the entertaining programme included “Baggy Trousers” by Madness [arr Alan Fernie.]

And Hans Zimmer’s Pirates of the Caribbean: Dead Man’s Chest.

Our favourite, though, was probably Ramin Djawadi’s theme from the HBO tv series “Game of Thrones.”

The band managed to perfectly convey the expectations of the show, all those dead-reckonings and impressive crownings.

Bohemian Rhapsody” by Freddie Mercury [arr. Darrol Barry] was magnificent and perhaps we don’t entirely realize what an incredible achievement this piece of music this is until it’s heard performed this way.

And just before the interval we enjoyed a little game of “guessing the melody” when the band played “The Lone A-ranger” by Philip R. Buttall.

Many thanks to Staines Lammas Band for offering us a very pleasant afternoon of masterful music. And also thanks to the Reverend and staff at the Church of St Mary’s for making us feel welcome.

The next Staines Lammas Brass Band concert is on Sunday 25th June 11.00 at the Staines Upon Thames Day, Thames Street.

Also see them perform on July 9 at the Staines Lammas Park, at 2 pm.

Words & Pictures: @neilmach 2017 ©
Link: http://www.staineslammasband.co.uk/

JFK — Album Launch Show

JFK (also known confusingly as JFK Blues] is a London /Surrey five piece band that has been playing their rock ‘n’ rolling blues — spiced with jazzy manouche touches — for about a year or so.

If John Etheridge met Ray Davies at Le QuecumBar and they discussed a rhythm and blues project — this is probably how it would have turned out…

The band is composed of some very experienced musicians — PAUL BLOUNT on keys who once lived in L.A. and worked with Jeff Beck, SOL EZRA on drums [an early member of Talk Talk] gypsy-rock guitarist IAGO BANET ; LES ‘LEO’ VICTOR on bass [he played with the Blockheads] and the youngest member of the outfit — lead vocalist/guitar CHRIS ELLIOTT who they found busking at Covent Garden Tube and invited along for the ride.

Paul Blount on keys – they bring blues, jazz, pop and boogie to the people…
Picture by Neil Mach

We attended the “Rough Round The Edges” album launch show at the legendary 100 Club in London’s West End this week.

We enjoyed JFK’s beautifully crafted self-penned songs that began with “St Joseph” and had mellow, mid-tempo beats and instantly catchy melodies.

Chris Elliott’s poignant and cheery R&B voice on songs like “Shadowlands” reached clear trebles without too much difficulty — and this talent helped to take the sounds from blues origins and into pop-rock territory whilst still retaining the genre’s emotional content.

If we really had to designate their brand we would say the JFK sound is similar to that of the Alexis Korner band — in other words, they bring blues, jazz, pop and boogie to the people…

We’re not really a blues band…” Chris shouted to a passionate audience… directly before the band embarked on yet another raw-blues number — this one adorned with flinty peaks of guitar and a boogie underbelly.

We enjoyed the really excited rhythmic patterns and the cleverly woven guitar songs, such as “Having a Real Good Time.”

Often these songs had insistent backwoods blues-vibes that took us directly to those all-night parties down on 18th and Vine.

This was a poetic and vibrant show delivered by a pack of musicians who have clearly spent a lifetime entertaining their audiences.

Words & Images: @neilmach 2017 ©
Link: https://www.facebook.com/JFK4Blues/

See next:

The Old Ticket Hall, Windsor 14th April
The Bull’s Head, Barnes 1st May

Excited rhythmic patterns and the cleverly woven guitar songs…
Photo: Neil Mach